Minnesota New
The Met
Urban Academy
High Tech High
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The blunt testimonies of small school students like Maya, Freddie, and Leahand the comparisons they make with regular schoolscertainly fuel both this interest and the critique. So does almost two decades of compelling research on small schools. In schools with fewer than 600 youngsters, we now know, students generally learn better, drop out less, and attend more. They participate in extracurricular activities in greater numbers and get into fewer disciplinary difficulties. On college-related variablesentrance examination scores, acceptance rates, grade point averagesstudents from small high schools match or exceed those from large ones. And small schools work especially well for the least advantaged students. Studies linking school size, poverty, and student achievement indicate larger schools, particularly urban ones, exacerbate the negative effects of poverty on student learning. Nevertheless, between 1940 and 2000 the average school size rose five-fold. Seventy percent of todays students attend schools with more than 1,000 students, reflecting the belief that larger schools afford more opportunities, a richer curriculum, and economic efficiencies. The current interest in small learning environments feels almost revolutionary, regardless of the affirming research. More than personalization and the absence of bells What first catches the eye when one enters a small school is the personalization it affords. Both the needs of individual students and the passions of individual teachers seem to find uncustomary breathing room. A first-time visitor might also be struck by what appears to be less structure than larger high schools employ: students and adults may mix more freely; no bells may mark the start and end of classes; courses may break from curricular conventions or may not even exist at all. Repeat visitors learn that in most small schools a complex infrastructure actually puts order in these freedoms. Beyond this unmistakable personalization and openness, much else also distinguishes teaching and learning in small schools. Sure, size makes a big difference, explains a student at one small high school, but whats really different is the learning. Its in a whole new set of keys. Its new tunes. And what are these new keys and tunes? The online portfolio of student learning in small schools that followsthe culmination of a documentation and research effort begun by What Kids Can Do in the spring of 2002provides a number of answers. Although nothing beats spending several days immersed in the rhythm and conversations of a school to understand how it reaches students, this collection aims to provide a helpful proxy. This projects background The four schools featured here are all flagships in the Bill and Melinda Gates Foundations campaign to create a critical mass of new, inventive small high schools. They include the Minnesota New Country School (Henderson, MN), the Met (Providence, RI), Urban Academy (New York City), and High Tech High (San Diego, CA). We started our work exploring the commonalities of student learning in these four schools. Like other ambitious small schools across the country, they share several commitments. They pair high expectations with diverse learning opportunities, personalization with community building. They value student responsibility along with adult attentiveness, real-world problem solving along with public demonstrations of student learning. We were just as interested, though, in their distinctions. What does each school uniquely ask of its students? What does it emphasize and prize most? The differences, we imagined, reflect the schools founders but also their contexts: self-reliant rural Minnesota; tight-knit blue-collar Rhode Island; brash and brainy Manhattan; entrepreneurial Southern California. As we assembled this portfolio, we shaped it to match our own commitments. One was to show rather than tell, and to take maximum advantage of the Internets capacity to make available primary materials (for example, the written expectations and forms that guide students and teachers at each school) to close readers (in this case, both veterans of and newcomers to small schools). Another was to convey not only the skill and extraordinary dedication of the adults guiding these young people, but their dilemmas, too. We worked hardest, however, to place the work and voices of students at center stage, including examples from students who rarely receive that prominence. Like the small schools we studied, we believe that the quality and depth of the work students produce tell more about their learning than test scores do. And we believe an effective way to convey high standards is to show publicly student work that reflects these standardsalthough as we gathered examples for this collection, we looked for a range of student work and by no means just stand outs. Best or not, much of the student work we encountered in these four schools took our breath away. Finally, we privileged student work and voice because they illustrate, better than anything else, the great hopes these schools hold for their pupils. They seek to do much more than leave no child behind. They want their students to take the stage and sing. In his book Possible Lives, educator Mike Rose calls for a capacious critique of public education in America, one that encourages dissent and invention, fury and hope. He writes:
The four portfolio entries below, we hope, provide some of these needed imagesof what is possible in schools that place learning on a human scale. Portfolio entries
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This online portfolio complements a book by education journalist Thomas Toch called High Schools on a Human Scale: How Small Schools Can Transform American Education. With support from the Bill & Melinda Gates Foundation, Toch examines the same schools profiled here, but through different lenses, underscoring the proven virtues of schools on a "human scale." To read more about High Schools on a Human Scale or to order a copy, click here. |
whatkidscando.org |
Student learning in small schools: an online portfolio © 2003 Funding for this project generously provided by the Bill & Melinda Gates Foundation
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